Pianist Philip Chiu Makes His Union Club Debut

Image result for phil chiu

The Union Club was lucky to have the 2015-2016 recipient of the the Mécénat Musica Prix Goyer (the biggest prize in Canada and one of the largest in the world for a collaborative emerging artist in classical music), Mr. Philip Chiu, perform at the Club.

Pianist Philip Chiu performs in the McKenzie Lounge of the Union Club.

Taken from Philip’s website:

“More than a summation of technical and musical abilities, pianist Philip Chiu has become one of Canada’s leading musicians through his infectious love of music and his passion for communication and collaboration. Lauded for the brilliance, colour and sensitivity of his playing, he is particularly noted for his ability to connect with audiences on and off-stage.”

Harvard Club Considers a Change, and Some Think It’s the ‘Worst Thing Ever’

Members of the Harvard Club are upset about a proposal to turn the majestic Harvard Hall, designed by the famed architect Charles McKim, into a dining room. Credit: Ramsay de Give for The New York Times

On the wood-paneled walls of Harvard Hall, the majestic heart of the Harvard Club in Midtown Manhattan, hang portraits of Teddy Roosevelt and other notable graduates. The head of an elephant, a gift to the club, hovers in an alcove where members luxuriate on plush leather couches to read and sometimes nap.

It is a place of elegance and quiet contemplation, and as rarefied spaces go, there are few more rarefied. “I see it as Harvard asserting its primacy as an early American institution,” Barry Bergdoll, a professor of modern architectural history at Columbia University, said of the room.

But when the club’s leadership proposed turning Harvard Hall into a dining room, the sniping among members had all the gentility of a barroom brawl.

“I have been called a fascist dictator,” Michael Holland, the club president, told more than 200 unhappy members during a meeting on Sept. 12.

Harvard Hall has been used for dining before, from 1905 to 1915. Credit: Harvard Club

The crowd booed. “I am not defensive,” he said.

According to people in attendance and a recording of the meeting obtained by The New York Times, one member accused Mr. Holland of sending misleading emails. People clapped when a person called for the club’s leadership to resign. Still others questioned why a change was necessary given the club’s overall financial health.

Depending on whom one talks to, the proposed change to Harvard Hall is either a vast conspiracy to turn the esteemed club into a catering-venue-for-hire or an attempt by the leadership to stem losses in its food and beverage business.

It is not uncommon in the genteel world of New York private clubs for members to weigh profit and convenience. But the members of the Harvard Club seem to be taking this proposal personally.

Ivan Shumkov, an architect, called it one of the most sacred spaces in New York, having been created by an architectural icon, the Harvard alumnus Charles McKim. “If we destroy Harvard Hall,” he said that night, “I think it will be the worst thing ever.”

While refugees of the Yale Club, for example, have long complained it is more corporate than clubby, the Harvard Club, on West 44th Street, has maintained a familial appeal. The membership, roughly 13,000, is made up mostly of faculty, graduates and their spouses. There is a gym with squash courts and guest rooms decorated with university memorabilia for overnight stays. Every year the club holds its own Christmas tree lighting. New York residents pay as much as $2,147 annually in dues, with nonresidents and newer graduates paying less.

A chandelier, decorated with the university shield, in Harvard Hall. Credit: Ramsay de Give for The New York Times

What makes the ruckus at the Harvard Club particularly sensitive is Harvard Hall itself. Mr. McKim built the club, adding Harvard Hall, with its blush-colored French stone walls and two walk-in fireplaces, in 1905. He and his firm, McKim, Mead & White, designed some of the most celebrated Beaux-Art architecture in America, including the University Club of New York, much of Columbia University, the Pierpont Morgan Library and the Boston Public Library.

“It is quite distinct in New York,” Mr. Bergdoll said of Harvard Hall. “It is meant to represent Harvard.”

Like many fights, the one at the Harvard Club started over money. Mr. Holland, the owner of a private investment firm who like other club officers is a volunteer, said that three years ago, the club instituted 22 recommendations to shore up its finances. One recommendation not pursued at the time was to move the a la carte dining service from the dining room, with its airy windows and high balcony, into Harvard Hall. The idea was not unprecedented; Harvard Hall hosted diners from 1905 to 1915.

Since those changes, losses in the club’s food and beverage business have persisted. A mere 8 percent of members accounted for 50 percent of a la carte dining revenue last year, suggesting the dining room is underused.

In February, the club hired Julia Heyer, a restaurant consultant whose firm has worked on projects at Grand Central Terminal and for Brooklyn Brewery. Mr. Holland said she proposed that club dining be moved to Harvard Hall and that two kitchens be separated to improve efficiency. At the same time, the current dining room, which is more spacious than Harvard Hall, could be rented out for larger weddings and banquets, generating more revenue.

The changes didn’t seem too drastic to Mr. Holland. “It’s just moving the furniture,” he said. “It’s not an earthshaking change in how the rooms are used.”

Many members, though, had a different take. In early August, three former committee members of the club sent an email to the board of trustees. The men, Jonathan David, E. Theodore Lewis Jr. and Charles Lauster, laid out reasons the proposal to turn Harvard Hall into a dining room should be rejected.

They warned that the use of the main dining room for banquets and special events would “negatively effect the ambiance of the club” and “eliminate Harvard Hall as a place of quiet enjoyment for members and guests.”

“We are not opposed to making changes that could place the Club on a sounder financial foot,” they wrote. “But we view the current proposal as ill-considered, insufficiently researched and unnecessarily disruptive.”

Mr. Holland said the authors commented without knowing all the facts. (In an email, Mr. David said the three men declined to comment.) Herbert Pliessnig, the club’s general manager, said in an interview that the club planned to hold only an additional five to 10 events annually if the proposal were adopted.

The current dining hall could be rented out for more events if dining were moved to Harvard Hall. Credit: Ramsay de Give for The New York Times

Mr. Holland said of the men: “They really care about the club. How they go about it is their business, whatever they do.”

Their email was widely shared among members, particularly the club’s special interest groups, who frequently meet to discuss topics like American literature, politics or history.

Some were concerned that they would have limited access to quiet rooms if the Harvard Club rented out more space to outsiders. Others were displeased that lunch would no longer be served on the balcony of the main dining room, a favorite gathering spot, if that room were turned into an event space. Mr. Holland said he has received hundreds of emails, mostly in opposition.

One of those letters was from Seth  Herbert, a former vice president and senior international counsel at Estée Lauder who has been a club member for 25 years. He said in an interview that he had left the Yale Club (he has degrees from both schools) because it no longer felt like “home” and that he worried the same would happen to the Harvard Club. “I’m very ambivalent about the proposal,” he said. “It is a major decision that affects the culture of the club.”

Mr. Holland said there would be no decision on Harvard Hall without a vote of the members. He and his team have held three meetings to present the plan. At the first one, on Sept. 7, they laid out two options: members could choose to make Harvard Hall a dining room or they could not. If they opposed the change, annual dues could increase by as much as 10 percent, according to the presentation.

The Sept. 12 meeting, judging by the recording, was particularly tense. Among other accusations, one man told Mr. Holland that an email sent to members with the headline, “Enhancing Your Member Experience,” mischaracterized the seriousness of the proposed change. Most people didn’t read past the first sentence, the man said.

By the third meeting, on Sept. 18, “it was more mixed, but still emotional,” Mr. Holland said. “A couple of times I had to explain that we are volunteers and we are trying to do good.”

The Story Behind “Motherhood: Dedicated to Grace” by Arthur Vickers

Look more closely at three art works in the Union Club Reading Room.

In 1993 Arthur Vickers was asked by the directors of Grace Hospital to create a work of art that would embody his feelings about the hospital where he was born. His devotion to the hospital runs deep: “My mother’s name was Grace, and my wife Jessica and I were both born at Grace Hospital,” said Vickers.

“The idea of coming up with an image that could help Grace Hospital fundraise was an honour for me,” he said. Vickers spent one year sketching ideas and contemplating how he would portray “Motherhood,” which is what the hospital symbolized for him. The suite of three hand pulled serigraphs “are a tribute to all mothers. To my mom, to my Aunt Jane, to every mother.”

Vickers inspiration for the three-part limited-edition fine art print suite was a meeting of First Nations from across the Northwest Coast at Bella Bella in 1993. “There were literally thousands of people at the gathering. I saw a young man doing the paddle dance and teaching some children how to do it. There was a little girl who was dancing beside him with her hands held out. She got tired, so she stopped dancing and started looking for her mom. Crying and distraught, she ran across the field,” recalled Vickers. “She then tapped the lady next to me on the thigh. Even in the midst of all the commotion, the dancing, and the fires, the woman’s attention became totally focused on her child. That’s motherhood.”

“My aunt and uncle were also there. They were happy to see their culture being passed to the next generation. They were the inspiration for portraits of the elderly couple in the first print ” explained Vickers. Arthur spent a few months every year living with his aunt and uncle while he was a child, referring to them as his “summer parents.” The woman’s heavily lined face is gazing contentedly upon her daughter. Behind the elderly woman is her husband, who had supported her through all of her years as a mother.

The second work in the suite features the portrait of the mother, a subtle smile of contentment and deep happiness on her face. “You see that look so often when a mother’s attention is 100 per cent focused on her child. I remember my own mom looking down on me like that,” explained Vickers. “It’s the essence of motherhood. She is in her regalia, with her head bent down looking at the baby or child you don’t see. The mother imagines her child growing up learning her family’s culture and history,” he noted.

The third piece in the suite is of the children dancing: “The legs of the children dancing fade into dust or mist as the children aren’t real. They’re the dream of the mother.” In her dream the children are dancing happily and eager to learn: “The children are very busy. The mother is pleased to pass on the customs and heritage of her culture.”

All three works of art feature elements of the eagle. Each one is drawn with depth and texture; they look startlingly real. “The eagle feather is something I’ve done for years,” said Vickers. “My mother was adopted into the Eagle clan, and I’m a member of the same clan.”

Grace passed away in 1995 one year after the “Motherhood” suite was completed. “Now this art is a remembrance of my mom who has passed on,” he said. “Her passing taught me a lot. I started to think, ‘What have I done?’ There’s an element of fear or urgency, whatever it is. It’s hard to think of your mom not being there, no matter what your age is.”

The “Motherhood” suite is intensely personal for Vickers, as they are his only works of art where his family members are the models: “I think with my heart rather than my head. It was emotionally challenging using the subconscious and conscious elements at the same time.”

“I’m really grateful for the opportunity to have done this,” said Arthur. Drawing on the richness of his First Nations culture, he concluded: “The grace of our ancestry is giving.”

In donating some of his most personal works of art to support Grace Hospital (now British Columbia Women’s Hospital & Health Centre), Arthur Vickers has completed the circle of grace.

View the Arthur Vickers print “triptych”, Motherhood: Dedicated to Grace, on the wall of the reading room, facing you directly as you walk in through the main entrance doors. The Club is proud to have Arthur and Jessica as non-resident members who often stay at the Club when they are in Victoria. See more of Arthur’s work on display at the Arthur Vickers Art Gallery next time you are in Cowichan Bay.

 

“Motherhood” Dedicated to Grace

Suite of three serigraph prints 17/155

Arthur Vickers

1994

10 Things You Didn’t Know About the Kentucky Derby

As far as live horse racing track competitions go, the Kentucky Derby is the crown jewel of live horse races. Since the official race is almost here, we want to share some Kentucky Derby facts so that you can impress your friends over a refreshing Mint Julep.

10 KENTUCKY DERBY FACTS

The Kentucky Derby Has Never, Ever Been Canceled

The Run for the Roses has lived through some hard times in American history. But since its founding in 1875, the race has never been canceled. Come rain or shine, come depression or war, come what may, there will always be a race on the first Saturday in May.

Space is Limited

Only 20 of the best of the best thoroughbred racehorses compete every year. When you compare this to the number of horses born every year, that’s less than one percent of horses that get a chance to run.

Extravagant Hats Are a Deep-Rooted Tradition

Kentucky Derby facts aren’t all about the horses. The founder of the first race in the Triple Crown series wanted this event to compare to Paris Fashion Week. To this day, women come dressed to the hilts. Every year gets more and more fabulous.

Female Horses Don’t Always Run the Live Horse Racing Track

One of the more troubling Kentucky Derby interesting facts for owners of female thoroughbred horses to hear is that only three fillies have won the competition.

Horse Lovers Know How to Party

Kentucky Derby facts for kids that could get them excited about the festivities is that for over 60 years, there are two weeks of parties, parades, and events before the great race. Those familiar with the scene call it the Kentucky Derby Festival.

Triple Crown Winners Are the Most Physically Fit Thoroughbred Horses

Racehorses in Kentucky are strong athletes. To win the Triple Crown, a horse must take first in three competitions all held within the same month. Can you imagine the kind of energy that takes? Some interesting Kentucky Derby facts trivia you could spread is that only 12 horses have ever been honored as Triple Crown winners.

It Costs a Pretty Penny to Enter

It’s not polite to talk about money, but when talking about Kentucky Derby facts, we’ll make an exception. If all deadlines are met, it costs over $50,000 to enter the race.

Mint Julep is the Official Drink of the Race

A hot day at the live horse races requires a refreshing beverage. Mint Juleps are the official drink of race lovers. Attendees drink more than 120,000 of these things during their visit at the track.

You Can Win Big

On top of a sweet blanket of roses, Derby winners take home $2 million. That’s a nice chunk of change.

People Bet Big

When it comes to Kentucky Derby facts, it’s no surprise that people bet big. But would you be impressed if we told you people bet nearly $209.2 million in 2017?

A lot of luck and just $1 could’ve made you $75,974.50 richer at the 2017 Derby. All you would’ve had to do is pick the top four horses in the 2017 Kentucky Derby in the correct order.

The Union Club Renovations & Eclectic Art Collections…. a Visit Recorded By One Happy Participant

The following article appeared in the Art Gallery of Greater Victoria’s April/May newsletter “Happenings”, written by one of the participants from the tour:

It was the morning after that scary tsunami warning, and the rain was still lashing, the wind was howling, and it was frigid by Victoria’s weather standards. Despite it all an intrepid group of Associates had accepted an invitation to visit Victoria’s iconic Union Club to see some of its extensive art collection, and learn a little of the history.

Entering through the heavy brass-studded front doors, our world was transformed – thick carpet underfoot, rich mahogany paneling, a log fire exuding the comforting smell of pine, percolating coffee wafting in the air – we had made the right decision to emerge from the comfort of our homes that morning. Having shed our dripping coats and discarded our turned-inside-out umbrellas, we made our way to the Ballroom to meet our host and guide Martin Segger.

As Yvonne McKenzie in introducing Mr.Segger related his many accomplishments and experiences, we knew we were in for an interesting visit. He holds degrees from UVic (English plus Education Diploma) and the University of London (Renaissance Cultural Studies), had an extensive administrative and academic career at UVic in the areas of Galleries Collections and History of Art, served as President of the Pacific NW Chapter of the Society of Architectural Historians and President of the Commonwealth Association of Museums, and consulted and taught historic preservation planning in South America and Africa. Detailing his fascinating career would require a whole article. And now here he was, a good friend of the Art Gallery, the Honorary Art Curator of the Union Club, playing a major role in the restoration of the Club’s iconic building and care and nurturing of the art collection – and he was prepared to share some of this with us.

So, to a little of the Club’s history. Founded in 1879 by a group of prominent gentlemen in the city, it soon outgrew the first two buildings it had occupied as those early members canvassed friends they considered “congenial as members” to join. Building of the current structure started in 1910 and the first celebratory event, a Grand Ball, took place in 1913. Designed by Francis Rattenbury, it followed very much the beaux arts style popular in San Francisco at the time with a terra cotta exterior and curved stone window and door frames. The interior is a reflection of the colonial era in which it was built, as was the early collection of art. The Club was to be open to all – men that is; ladies had their Alexandra Club elsewhere and it was to be many years before they could join the Union Club as bona fide members. Mr. Segger noted that no Chinese names appear on the membership lists of that time. Early members were professionals, interested in the arts, and often their entrance fee was the gift of a piece of art, sometimes their own work, sometimes purchased pieces they thought appropriate.  Unfortunately, there is no record of when early items in this Legacy Collection were donated or purchased but as they reflect the times and interests of those founding members, so do more recent and current acquisitions reflect changes over the past 100 years.

Extensive renovations to both the exterior and interior of the building have been underway for the past five years. The exterior terra cotta cladding and seismic upgrading of the cornices is complete, and a photographic exhibition of all this work is exhibited in the McKenzie Room. The building’s interior is also now almost complete, and we were aware of how much had been done in the Ballroom since our AGM held there some months ago. Two recently acquired Toni Onley paintings, his 1968 Fort Rodd Hill and 1991 Flowers in a Window, have been hung over the fireplaces at either end of the room, pleasingly modern and complementary.

As we toured through the building our knowledgeable guide pointed out interesting details. The sparkling chandeliers in the Ballroom were original, having been dismantled, painstakingly cleaned, and reassembled by a local Victoria company. In a foyer a display of Chinese ceramics and Stephen Lowe’s watercolour, Serene Chinese Landscape, indicate emerging Asian participation in the Club’s interests and activities. In the McKenzie Lounge hangs a life-size painting by Jack Wilkinson of Henry de Zwager, a Club member who successfully ran a restaurant in an adjacent building. In the Reading Room there’s an eclectic collection; on the walls hang two sketches by Myfanwy Pavelic and three works by indigenous artist Arthur Vickers; over the fireplace is a reminder of the history of the building, a painting of a stern Judge Matthew Baillie Begbie.

Continuing our walkabout, in the McGregor Bar we saw the collection of animal trophy heads, much admired at the time for the taxidermy skills used to preserve these creatures from far-off lands, and an indication of members’ widening travels. On the walls of the staircase leading to the lower floor a full-length portrait of J. A. Mara, President of the Club from 1909-1913, appeared to be watching us intently. Later going upstairs to the third floor some in our group used the elevator which we learned is the oldest still in use in Victoria (the staircase, steep and narrow, seemed more stable to this writer!). On the third floor level we were shown a charming outdoor patio overlooking Humboldt Street with great views of the harbour, and then off a long corridor extensively lined with a great variety of art work including a watercolour by Robert Amos depicting the front of the Club’s building, we took the opportunity to peek into one of the 21 bedroom suites, an unoccupied one I would hasten to add.

Our tour had been a fascinating glimpse at the Club’s many treasures but time was of the essence, and we returned to the Reading Room where they had set up a table in a secluded corner for us where we enjoyed a delicious lunch. Mr. Segger joined us briefly for lunch, and Yvonne took the opportunity to thank him for our fascinating morning and gave him – you guessed it – a copy of The Book of Days.

The Auction: “Thank You” to All Who Attended

 

On March 9th, the Club hosted “The Auction” in support of the Art Gallery of Greater Victoria. It was a fun evening with over 115 Members and art-lovers attending. Club Member Alison Ross, owner of Kilshaw’s Auctioneers (pictured above), presided over the sale of 46 lots, entertaining the guests during the introductions and bidding on every lot. More than $15,500 was raised for the Art Gallery. Brilliantly done Alison! The funds will help support making AGGV’s collection more available online to our community.

The Auction was held under the Union Club’s Art+Fare banner. Art+Fare4 will be held on September 22nd and will have an exciting, revised format for the evening. To date, Art+Fare has raised over $65,000 for the Children and Family Programs at the AGGV.

Save the date for Art+Fare4 – it will be fun as the Union Club continues its historic commitment to the arts in Victoria!!!

If you would like to help plan the event, please contact Art+Fare4 Chair, Heather Kohler, at HeatherK@artandfare.com. There is a range of sponsorships available for A+F4. For more information, please contact Heather or Bob Coulter at robertacoulter@mac.com.

Murder & Myth: Jack the Ripper and the Royal Family

Wednesday, April 11, 2018

Jack the Ripper is the most famous murderer in modern history. In 1970 an eminent British surgeon published an article which suggested that the Ripper was a member of the Royal Family. Over the next three decades, that idea metastasized, inspiring several books and films, and drawing an ever-widening array of individuals into its net.

This talk revisits this increasingly bizarre and esoteric pattern of speculation about this most famous of crimes — a classic example of conspiracy thinking in our era of “Fake News”.

Reserve today – 250-384-1151 (ext. 0) or reservations@unionclub.com

Union Club Fundraiser Raises over $32,000 for AGGV

AGGV PRESS RELEASE – NOVEMBER 30, 2017: 

 

The Art Gallery of Greater Victoria has received a cheque for over $32,000 from the Union Club of BC following a highly successful Art+Fare 3 Gala.  The event which took place on Sept. 23 raised money to support programming for children and families at the AGGV.

The Gallery has a long history of engaging children of all ages in art and art-making and this support ensures they will continue to provide Family Sundays, school tours and workshops, resource guides for teachers outlining projects and activities suitable for K-12 students, and the New Extreme Mentorship Program that puts local artists together with young people who are artistically inclined.

“We are most grateful to the Union Club of BC, for their support of programs which assist us in bringing art to children and families throughout the Capital Region,” said Jon Tupper, AGGV Director. “It was a fantastic event bringing art and art lovers together.”

Art has played an important role for the Union Club of BC throughout it’s long history. Two of the earliest members of the Union Club of BC were architects  Francis Rattenbury and Samuel Maclure, both also founding members of Victoria’s arts community. As well, the Union Club of BC  art collection dates at least back to the time when the Club moved into its clubhouse on Douglas Street in 1885. In recent years  the Club has endeavoured to underscore its engagement with the community through  lively programs of art activities including events such as speakers and demonstrations, exhibitions, and further art acquisitions which reflect the personalities, events and places of British Columbia.

Art+Fare has raised over $65,000 for the AGGV’s children and family programs since it’s inception in 2015.  Art+Fare 4 is scheduled for Sept. 22, 2018.

3rd Annual UC Open – THANK YOU!

Yesterday, September 25, 2017, saw the Union Club host it’s 3rd annual UC Open at Gorge Vale Golf Course.  Approximately 80 golfers enjoyed the tournament, and Mother Nature did her best to ensure a dry, mild climate was delivered, too!

On behalf of the Club, we would like to thank Tournament Organizers Barrie Hewstan (Past President), Gary Kirk and Keith McCallion; Event Coordinators Grace Van den Brink (Vice-President) and Lyle Soetaert (Finance Chair), and, last but not least, our SPONSORS:

TITLE SPONSOR
Dev Wood Consulting

PLATINUM SPONSOR
Winchester Galleries

GOLD SPONSORS
Browns Social House
Collins Barrow

SILVER SPONSORS
Harris Victoria Chrysler Dodge Jeep Ram
Hendry Swinton McKenzie Insurance
Intact Insurance
Knappett Projects Inc.
Lee & Lorraine Ferreira
Paul Mara Fine Jewellery & Watches
Wallace Driving School
Wellburn’s Food Market

BRONZE SPONSORS
10 Acres Bistro
Catalano Restaurant & Cicchetti Bar
Five Star Whale Watching
Garyali Architect Inc.
Jeff Bray, Capital Public Affairs
Magnolia Hotel & Spa
The Maritime Museum of British Columbia
Past President Bernard Beck and Family
Phillips Brewing & Malting Company
Rick Arora, 5th Avenue Holdings
Sam’s Deli

SUPPORTERS
Kerry Gibson
Mike Kynaston
Grace Van den Brink
Paul Vanden Brink

 

WE THANK YOU ALL!!